Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?

ユミ(🔊)は夫と(🥦)娘の３(🥚)人暮ら(🦀)し。近々(🔗)引っ越(📃)しを考えている。ユ(🥫)ミは娘のレイナが時折うわ言を発する(🛋)ことが(🆎)、少々(📮)気にか(✝)かって(🌋)いた。転居の報告も(🕢)兼ねて(⛏)友人ヒ(📔)ロミと(🎢)久(jiǔ )々(🎱)に再会(🔇)するユ(🚒)ミ。話題はいつしか「あの日」のことに。「私たちが(🍝)埋めた(🚖)時、本(✝)当に死(🚆)んでた(🕥)のかな(📙)？」。ユミは「あの(🚇)日」の(🎀)ことを(👈)清算す(💻)べく、(🙉)サエ、(🚥)アコにも再会を決(🤧)意し、廃墟のような家に一人で住むサ(🥫)エに会(🎗)(huì )いに(🖇)行く。サ(👢)エは、(➡)見知らぬ少女が現(👎)れて娘(🥇)だと言(😝)って聞(🎨)かず、(🕺)しばら(⛏)く一緒(🔩)に暮(mù )らしていたが死んだこと、そして少女は死(⏪)んだま(💹)まその(👲)家の３(🐇)階に寝(👒)(qǐn )かさ(😶)れているというこ(📺)とを話(📴)し出す(🌄)。(C)「黄泉(🐝)がえる(🎵)少(shǎo )女(🚭)」製作委員(yuán )会

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

在(🐯)一家救济院，病人被拍恐(kǒng )怖片进行精神(😜)(shén )病研(🔩)究，他们(⛄)(men )都疯了(😮)。这些(xiē(🆓) )电影被曝光了(le )，其中(👘)五成画(🐖)面是七(🏓)八十年(🐟)代(dài )OOXX的(✔)场景，给(🎋)你(nǐ )不(💎)一样的观影(yǐng )体验……

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

A D-Day rescue mission turns ugly when a band of Allied soldiers battle with horrific experiments created by the Nazis.

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巴(bā )勒斯坦電視台(tái )攝製(🕋)臥底肥(👤)皂劇，連(🤮)以色列(🐅)婦孺都(🥉)晚晚追(📵)看(kàn )。編劇因情節(jiē(🕟) )背離革(🐔)命而辭(👻)(cí )職，監(🈷)製的多(🐧)(duō )口侄(🔫)仔助理受(shòu )命執筆(😒)，頻頻(pín )借女角之口，向電視機前的(🔆)舊(jiù )愛(🐡)示好，以(😇)色(sè )列(🌜)檢查站(🍕)軍官(guā(🏪)n )則企圖恃權影(yǐng )響(🐏)劇情發(➗)展，以便(🔡)在追看(💥)的嬌妻(🌷)面前自(🗯)吹自(zì )擂。助理即使(shǐ )槍抵腦殼，都(dōu )不肯接受軍官(guān )要求的(⏭)大團圓(👗)(yuán )結局(🗯)。抗爭，必(🤩)須繼續(🦋)！影展新秀蘇亞比巧(qiǎo )妙調(🔎)侃以巴(🌗)關(guān )係(🚉)，他的喜(🔰)劇(jù )座(🌦)右銘是(🍇)：要(yào )能大笑，必須(📎)(xū )面對苦痛，並與之周旋。獲威尼斯(♉)地平線(🍖)單(dān )元(🏝)最佳男(💰)主角(jiǎ(☕)o )獎。

《水族(🛍)魂(hún )1944》电影取材于(yú(❤) )上世纪(💌)40年代抗(🐤)(kàng )日战(🦗)争日本(😒)投降前(🌫)夕，发生在(zài )贵州三都水族(zú )自治县九阡镇(zhèn )的真实历史事(🍶)(shì )件。编(⏹)剧多次(🚖)(cì )实地(🔹)采风走(🚊)访，在走访了当年亲历者和(⛔)掌握(wò(💓) )大量的(🔤)史实资(🍒)(zī )料后(🎹)，通过写(🐾)(xiě )实的手法再现(xià(🌚)n )了当年水族人(rén )民英勇抗击日本(🙆)侵略者(🤷)的故事(💷)，体现了(📆)中国(guó(🌓) )人民抗(♋)击侵略(luè )者的决心(🍷)，谱(pǔ )写(🏤)了一曲(🦎)贵州(zhō(💚)u )少数民(🗒)族人民(💕)(mín )抗击日本侵略者的英雄赞歌！《水族魂1944》这(zhè )部电影在抗日(rì(🍚) )战争爆(🚃)发80余年(✔)(nián )后的(🕘)今天推(👥)出(chū )，其真正意义于中华民(👑)族抗战(🚝)有益，更(⏪)是贵(guì(🍵) )州抗战(🙋)历史上(💁)(shàng )不可磨灭，是(shì )光(🌱)辉灿烂，浓(nóng )墨重彩的一笔(bǐ )，对贵(🏐)州少数(🍥)民族抗(🌏)战的肯(😵)定和宣(💨)扬有着(🥂)重(chóng )要的作用。