In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.

BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’(🗂)s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’(🍽)ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’s nothing to worry about.

印(yìn )度每(👝)年有超(🙇)过(guò )二万宗针(zhēn )对女(🚏)性(🍭)的(de )暴力罪案(àn )，平均(📮)每(měi )二(🍻)十(😋)二分(fèn )钟就有一(yī(🗼) )名女性(👹)被(bèi )强暴，每(měi )六小时(👟)就(jiù )有一名妇(fù )女因家庭(tí(🎨)ng )暴(😱)力丧命(mìng )。年轻的(de )基(🍃)层女警(🎥)(jǐ(🏙)ng )索妮与上(shàng )司卡帕(🦔)纳(nà )在(🎌)德里一同接手调查不(🗺)同(🏓)的女性暴力事件，在(🐗)办案过(💳)程(🏆)中(zhōng )往往遭受(shòu )到(🍎)了重大(🖲)(dà(🆓) )阻力，无(wú )日无之的(🔢)(de )罪案令(😄)她(tā )脾气暴躁(zào )，做事(🦉)方(👔)(fāng )式偏离常规，被裁(🐙)定在(zà(🕥)i )执(🏛)勤中行(háng )为不当，而(🖖)私人生(🚑)(shēng )活也影响(xiǎng )到了她(🏨)的(de )职业表现(xiàn )，与丈夫(fū )已经(🆙)彼(😈)此(cǐ )疏离，却(què )要被(🎛)迫面(mià(🧠)n )对(🎌)他突然(rán )的到访。印(♉)度电影(👒)(yǐng )少见的写(xiě )实题材(🐰)，以(🚑)一场一镜营造出真(🚄)实迫力(🔰)，将(🚏)社会低下层女性受(❌)到压迫(🌥)(pò(🥙) )的问题表(biǎo )露无遗(⏬)。

“假如音(🌩)(yīn )乐是爱情(qíng )的食粮(👁)，请(📌)继续演(yǎn )奏吧！”以配(📶)乐著称(🤧)并(🥔)(bìng )为莎士比(bǐ )亚爱(🏽)情喜(xǐ(📺) )剧(😘)《爱的(de )徒劳》及(jí )《爱的(🚺)胜(shèng )利》（即(jí )《无事生(shēng )非》）(🛁)注(🎠)(zhù )入无限活(huó )力的(🥁)超人(ré(🥄)n )气(😨)导演克(kè )里斯托弗(🎺)(fú )•拉(💞)斯康(kāng )贝（Christopher Luscombe）携(xié )创(⛪)作团队(duì )重返埃文(wén )河畔斯(🛥)特(❓)拉福德的皇家莎士(🎽)比亚剧(👻)团(🌵)，执导莎翁(wēng )另一部(🦖)滑(huá )稽(⬆)又心酸(suān )的单相思(sī(♌) )爱(🛩)情故事(shì )：

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

本片撷(📤)(xié )取了(💐)发(⚡)生(shēng )在中国北(běi )方(🎶)小城镇(📆)中(🌸)一个中国青(qīng )年出(😧)狱后(hòu )的一段人(rén )生经历，讲(🗣)述(🔎)了一(yī )个小人物(wù(🍟) )在商品(🍧)经(🚈)(jīng )济的大潮(cháo )中与(📍)时代(dà(🍤)i )的隔离，以及人们(men )对金(🤐)钱的(de )崇尚和理(lǐ )想、道德(dé(🏊) )的(✅)流失，对社会与(yǔ )人(🏌)性作出(🐯)了(🎖)深度拷问。尤其是本(🐑)片以中(🚌)国农历冬季的四个(gè(🆘) )节(🚂)气作为(wéi )篇章，具(jù(⚓) )有强烈(🔈)的(🏮)(de )中国文化(huà )符号视(🐫)觉(jiào )。